UHAB is a platform for your concerts and events.

Information for event organizers

Rent for events — free. You get profit from tickets, I get profit from the bar.

Stage 5.2 x 1.5 meters, with a lifting height of 25 cm

Full sound equipment — 10-channel audio mixer, 2-line 31-band equalizer, main speakers of 1.5 kW, monitors, microphones and cables for connection (list below)

Seated seating for up to 50 people

The maximum capacity of the bar for events is ~ 100-120 people

musical stage equipment

MAIN SPEAKERS

Behringer DR115DSP-EU — 15inch, 1,400-watt 2-way Powered Speaker, Onboard DSP

  • Class-D + Class-AB amplifier with 1400 Watt power
  • Equipped with: 15″ Speaker and 1.75″ compression driver
  • Frequency range: 45 — 19,000 Hz
  • Max. SPL: 136 dB
  • Powerful DSP functions with optimisation for 4 sound programs: Music, live, language, DJ / CLUB
  • System control and 2-way speaker protection, and built-in Bluetooth 4.2 receiver
  • 2-Channel mixer with individual microphone / line inputs and volume controls
  • Class D amplifiers
  • Low-cut filter: Switchable at 80, 100, 120 or 150 Hz
  • Additional line output allows connection of additional loudspeaker systems

MAIN MIXER

Analog mixer yamaha mg10xu

10-channel mixer: max. 4 mic / 10 line inputs (4 mono + 3 stereo) / 1 stereo bus / 1 AUX bus (incl. FX)

  • 10-channel mixer
  • Max. 4 mic / 10 line inputs
  • (4 mono + 3 stereo)
  • 1 stereo bus
  • 1 AUX bus (incl. FX)
  • “D-PRE” mic preamps with inverted Darlington circuit
  • Single-knob compressors
  • High-quality effects: SPX with 24 programs
  • USB Audio interface, 2 in / 2 out 24-bit / 192 kHz
  • iPad support (2nd or later) with Apple iPad Camera Connection Kit /
  • Lightning to USB Camera Adapter
  • Pad on mono inputs
  • Phantom power +48 V
  • Balanced XLR outputs

EQUALIZER

Behringer FBQ3102HD-EU Equalizers Signal Processors

2x 31-Band Graphic EQ with FBQ Feedback Detection System

  • Audio Analyzer
  • Low-noise operational amplifiers
  • Servo-balanced inputs and outputs with jack and XLR
  • Additional Sub-Out (XLR) with adjustable low-pass 30-200 Hz
  • Adjustable Low- and Hi-Cut
  • 12-Digit LED display for in — and output signal
  • Input level control
  • Hard bypass switch
  • Illuminated faders
  • Design: 19″ / 2U

ADDITIONAL MIXER IF YOU NEED TO ADD CHANNELS

Yamaha MQ4 4-channel active mixer

  • 2 channels Microphone input + 2 Channel Stereo.
  • High-performance microphone pre-amplifier with phantom power(+48V).
  • Built-in mute switching mode power supply.
  • High-performance three colors output level meter.
  • 24-400Hz adjustable dual channels sub output.

MONITOR

Microlab Solo 2

Amplifier specs

  • Output power 60 Watt RMS
  • Power distribution 30×2 Watt
  • Frequency response 64 -20 000 Hz
  • Signal/Noise ratio 75 dB
  • Separation 50 dB

2 RADIO MICROPHONES

Shure GLXD4 wireless microphones

  • Signal to noise ratio: 105 dB
  • Receiver sensitivity: -105 dB
  • Dynamic range: 100 dB
  • Frequency range: 50 Hz-16 kHz
  • Range up to 100 m.

2 XLR MICROPHONE

SHURE SM58

  • Frequency response: 50 Hz — 15 kHz
  • Directional pattern: Cardioid
  • Sensitivity: -54.5 dBV
  • Impedance: 300 Ohm

RECORDER

TASCAM DR-60DMKII 4-Track Audio Recorder

  • Recording media: SD card (64 MB – 2 GB) /
    SDHC card (4–32 GB)
  • Audio file compatibility: WAV: 44.1/48/96 kHz, 16/24-bit
  • BWF (Broadcast Wave Format): 44.1/48/96kHz, 16/24-bit
  • Mic/Line input 1/L, 2/R (switchable phantom power) XLR-3-31
  • 6.3-mm standard TRS Jack
  • Mic/Line input 3-4 (supports plug-in power) 3.5-mm stereo mini jack

MONITOR HEADPHONES

Audio-Technica ATH-M20X — Professional Monitor Headphones

  • 40 mm Driver with neodymium magnet and copper-clad aluminium wire voice coils
  • Frequency range: 15 — 20,000 Hz
  • Max. input level: 700 mW bei 1 kHz
  • Impedance: 47 Ohm
  • Sensitivity: 96 dB
  • 3 m cable with 3.5 mm jack plug

COMMUTATION

4 pcs — 6.3 mm Jack mono to 6.3 mm Jack mono 10 m
1 pcs — 6.3 mm Jack stereo to 6.3 mm Jack stereo 10 m
4 pcs — 6.3 mm Jack mono to 6.3 mm Jack mono 6 m
1 pcs — 6.3 mm Jack mono to 6.3 mm Jack mono 2 m
1 pcs — 6.3 mm Jack mono to 6.3 mm Jack mono 0.5 m
2 pcs — XLR — XLR 10 m
2 pcs — XLR — XLR 6 m
2 pcs — XLR — XLR 3 m
2 pcs — XLR — XLR 0.6 m
1 pcs — 2x XLR — 2х RCA 4.6 m
1 pcs — XLR — 6.3 mm Jack mono 3 m
1 pcs — 2 XLR — 3.5 mm Jack stereo 3 m
1 pcs — 6.3 mm Jack mono to 6.3 mm Jack mono 3 m
1 pcs — 2х 6.3 mm Jack mono to 2х 6.3 mm Jack mono 1 m
1 pcs — 3.5 mm Jack stereo to 2х 6.3 mm Jack mono 1 m
1 pcs — 2х RCA to 2х RCA 6 m
4 pcs — Jack 3.5 stereo — Jack 3.5 stereo
2 pcs — Jack 3.5 male stereo — Jack 3.5 female stereo 5 m
1 pcs — 2х RCA to 2х 6.3 mm Jack mono 0.5 m
1 pcs — 2х RCA to 3.5 mm Jack stereo 0.5 m
1 pcs — 2х RCA to 6.3 mm Jack stereo 2 m
1 pcs — 6.3 mm Jack stereo to 2x 6.3 mm Jack mono 3 m

ELECTRICITY

Extension cord:
3 pcs 220W for 5 sockets 5m
1 pcs 220W for 3 sockets 5m
1 pcs 220W for 5 sockets 2m

ADDITIONALLY

5 microphone stands
2 guitar stand
1 keyboard stand
2 tripods
2 «crane» stands with LED panels for additional illumination

floor plan and seating arrangement

The establishment has 2 separate rooms — a gallery hall (and a venue for concerts and events) and a separate room with a bar.

For event seating — maximum seating is in rows — the first 2 rows are on wooden cubes with cushions, then there are bar stools, thus creating a comfortable cascade seating.

The maximum number of seats is 50 people, a comfortable arrangement is 40-43. If seating with tables is required, then 30-35 people.

If the concerts are standing, without seating, the comfortable capacity of the venue is 100 people, maximum about 120.

Seating in the bar area 26 seats. One long bar table with 20 seats, 4 seats on sofas in the arch at the side of the stage, a metal grill between the chairs and the stage. And 2 secluded extra seats at the end of the bar.

The room itself is located in the basement. The entrance group is soundproofed with a sound-absorbing curtain around the stairs. You can organize noisy events without fear of disturbing neighbors (within reasonable limits).